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	<title>Edit Room &#187; Photography</title>
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	<link>http://blogs.widescreenjournal.org</link>
	<description>Wide Screen Journal Editors' Blog</description>
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		<title>The end of days for Kodak</title>
		<link>http://blogs.widescreenjournal.org/?p=2294</link>
		<comments>http://blogs.widescreenjournal.org/?p=2294#comments</comments>
		<pubDate>Fri, 20 Jan 2012 07:20:45 +0000</pubDate>
		<dc:creator>Kuhu Tanvir</dc:creator>
				<category><![CDATA[Photography]]></category>
		<category><![CDATA[kodak]]></category>
		<category><![CDATA[kodak cameras]]></category>
		<category><![CDATA[pictorial history]]></category>

		<guid isPermaLink="false">http://blogs.widescreenjournal.org/?p=2294</guid>
		<description><![CDATA[As Kodak files for bankruptcy following a decision not to invest in digital cameras any more, it seems like the end of an era. It is a decisive moment in the history of cinema, as this move all but seals the fate of celluloid, making way for a cinematic culture that will be dominated by [...]]]></description>
				<content:encoded><![CDATA[<div id="attachment_2297" class="wp-caption aligncenter" style="width: 202px"><a href="http://i0.wp.com/blogs.widescreenjournal.org/wp-content/uploads/2012/01/kodakgirls.jpg"><img class="size-medium wp-image-2297" title="kodakgirls" src="http://i0.wp.com/blogs.widescreenjournal.org/wp-content/uploads/2012/01/kodakgirls.jpg?resize=192%2C300" alt="" data-recalc-dims="1" /></a><p class="wp-caption-text">(image: The Guardian)</p></div>
<p style="text-align: center;">
<p>As Kodak files for bankruptcy following a decision not to invest in digital cameras any more, it seems like the end of an era. It is a decisive moment in the history of cinema, as this move all but seals the fate of celluloid, making way for a cinematic culture that will be dominated by the digital image. As the virtual social network is bursting with stories of people&#8217;s first cameras, the cameras they inherited from their parents and grandparents and their many Kodak moments, here are some photos uploaded by BBC and The Guardian that trace a pictorial history of Kodak.</p>
<p>Kodak&#8217;s Development in Pictures (by BBC): http://www.bbc.co.uk/news/in-pictures-16627900</p>
<p>Women in Focus: the Kodak girl:</p>
<p>http://www.guardian.co.uk/artanddesign/gallery/2012/jan/19/women-in-focus-kodak-girl-in-pictures</p>
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		<title>SPARROW&#8217;s documentary on Homai Vyarawalla</title>
		<link>http://blogs.widescreenjournal.org/?p=2284</link>
		<comments>http://blogs.widescreenjournal.org/?p=2284#comments</comments>
		<pubDate>Sun, 15 Jan 2012 17:38:04 +0000</pubDate>
		<dc:creator>Kuhu Tanvir</dc:creator>
				<category><![CDATA[Obituaries]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[first woman photo-journalist]]></category>
		<category><![CDATA[homai vyarawalla]]></category>
		<category><![CDATA[photographer]]></category>
		<category><![CDATA[SPARROW archive]]></category>

		<guid isPermaLink="false">http://blogs.widescreenjournal.org/?p=2284</guid>
		<description><![CDATA[The link to SPARROW&#8217;s 2006 documentary on Homai Vyarawalla, India&#8217;s first woman photo-journalist. http://www.cultureunplugged.com/play/719/Homai-Vyarawalla]]></description>
				<content:encoded><![CDATA[<p>The link to SPARROW&#8217;s 2006 documentary on Homai Vyarawalla, India&#8217;s first woman photo-journalist.</p>
<p>http://www.cultureunplugged.com/play/719/Homai-Vyarawalla</p>
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		<title>National 35 Sprinty BC:The &#8220;Made in India&#8221; Camera</title>
		<link>http://blogs.widescreenjournal.org/?p=1924</link>
		<comments>http://blogs.widescreenjournal.org/?p=1924#comments</comments>
		<pubDate>Wed, 08 Sep 2010 16:59:53 +0000</pubDate>
		<dc:creator>Gopalan Ravindran</dc:creator>
				<category><![CDATA[Photography]]></category>
		<category><![CDATA[CSIR]]></category>
		<category><![CDATA[India as a Superpower]]></category>
		<category><![CDATA[Industrial Decay Photogrphy]]></category>
		<category><![CDATA[ISRO]]></category>
		<category><![CDATA[Made In India]]></category>
		<category><![CDATA[National Instruments]]></category>
		<category><![CDATA[National Sprinty BC]]></category>
		<category><![CDATA[Photography History]]></category>
		<category><![CDATA[Regula Sprinty BC]]></category>

		<guid isPermaLink="false">http://blogs.widescreenjournal.org/?p=1924</guid>
		<description><![CDATA[The nation that prides itself as the next superpower and claims to be always third,second or first country to put rockets, satellites of several denominations in space is also a nation that was/is incapable of producing a low tech item such as a 35 mm camera. Its closest attempt in getting a &#8220;Made in India&#8221; [...]]]></description>
				<content:encoded><![CDATA[<p>The nation that prides itself as the next superpower and claims to be always third,second or first country to put rockets, satellites of several denominations in space is also a nation that was/is incapable of producing a low tech item such as a 35 mm camera. Its closest attempt in getting a &#8220;Made in India&#8221; camera was enacted during mid 1970s in a CSIR facility, National Instruments, at Calcutta. The camera sports the tag, National 35 Sprinty BC. It retailed for Rs 780. More on this <a href="http://indiaphotoculture.blogspot.com/2010/09/national-sprinty-bc-35-the-made-in.html">here</a>. </p>
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		<title>The Social Practice of Photography</title>
		<link>http://blogs.widescreenjournal.org/?p=1677</link>
		<comments>http://blogs.widescreenjournal.org/?p=1677#comments</comments>
		<pubDate>Sun, 20 Sep 2009 09:02:59 +0000</pubDate>
		<dc:creator>Gopalan Ravindran</dc:creator>
				<category><![CDATA[Photography]]></category>
		<category><![CDATA[Visual Anthropology]]></category>
		<category><![CDATA[indian wedding photography]]></category>
		<category><![CDATA[rituals]]></category>

		<guid isPermaLink="false">http://blogs.widescreenjournal.org/?p=1677</guid>
		<description><![CDATA[As expected, Frank Heidemann&#8217;s lecture on the &#8220;Photographic Processes and Artefacts,&#8221; hosted by the Dept.of Mass Media and Communication Studies, University of Madras, on 18 09 2009, evoked a very good response. A good number of senior professors (from disparate disciplines such as philosophy, history, statistics and public affairs) along with students in Journalism and [...]]]></description>
				<content:encoded><![CDATA[<p>As expected, Frank Heidemann&#8217;s lecture on the &#8220;Photographic Processes and Artefacts,&#8221; hosted by the Dept.of Mass Media and Communication Studies, University of Madras, on 18 09 2009, evoked a very good response. A good number of senior professors (from disparate disciplines such as philosophy, history, statistics and public affairs) along with students in Journalism and Communication, Electronic media and other courses attended the first session of the Media and Society Seminar Series and enjoyed the lucid presentation of Prof.Frank Heidemann. Prof.Steve Hughes, SOAS, University of London, whose work on early Tamil cinema audience is well known, was also in the audience. <a href="http://indiaphotoculture.blogspot.com/2009/09/social-practice-of-wedding-photography.html">Here</a> is more on what I wrote today on the topic.</p>
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